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纽约的女๐Ÿ˜‡@人们HD中字

纽约的女๐Ÿ˜‡@人们

喜剧片1977其它
ๅฏผๆผ”:赖纳ยท维尔纳ยท法斯宾德
ไธปๆผ”:埃娃ยท马特斯,Angela,Schmid,玛吉特ยท卡斯滕森
่ฏญ่จ€:其它
ๆ›ดๆ–ฐๆ—ถ้—ด:2023-08-31 00:02:24
่ฟ”ๅ›ž้ฆ–้กตๅŒ็ฑป่ง†้ข‘

่ง†้ข‘็ฎ€ไป‹

A fi_)lm ๐Ÿคฃ-ver๐Ÿคชsion of a play F๐Ÿ˜Œ`๐Ÿ˜assbinder d๐Ÿ˜‘๐Ÿ˜‘irected in Ha'๐Ÿ˜‡๐Ÿ˜Œ^๐Ÿ˜mburg, Clare B/๐Ÿ˜‹ooth Luce's๐Ÿ˜—๐Ÿ˜ท The Women๐Ÿค”๐Ÿ˜Š๐Ÿ˜œ. It g๐Ÿ˜ถave %๐Ÿ˜๐Ÿ˜๐Ÿ˜F๐Ÿ˜๐Ÿ˜๐Ÿ˜ถ'assbind๐Ÿคจ(๐Ÿ˜€er ๐Ÿ˜ [a๐Ÿ˜ท๐Ÿ˜ทn๐Ÿ˜/ opportu๐Ÿค—@n๐Ÿ˜…๐Ÿ™‚,ity ๐Ÿ˜Œ+๐Ÿ˜‹#to indul๐Ÿคข๐Ÿ˜‹ge hi๐Ÿ˜…]s passion for wo๐Ÿ˜_rking wi๐Ÿ˜๐Ÿค‘th wome]๐Ÿ˜œ_n^* - ๐Ÿ˜†there are forty ๐Ÿคฉ=๐Ÿค”๐Ÿ˜™w๐Ÿ˜š๐Ÿคจ;o#$$men in the  ๐Ÿคฃplay and no men๐Ÿค—๐Ÿค.ใ€€ใ€€The  ๐Ÿ˜œ๐Ÿ˜™play dat๐Ÿคซ๐Ÿ˜’[๐Ÿ˜†es from the 1930๐Ÿ˜Šs, and !?Fas๐Ÿ˜‹@sbin๐Ÿ˜˜๐Ÿ˜ดde๐Ÿคจ'๐Ÿค‘r was accuse๐Ÿ˜†๐Ÿ˜‚๐Ÿ˜™d b//'y th๐Ÿ˜š๐Ÿ˜ฌe๐Ÿคฎ๐Ÿ˜๐Ÿ˜ critics o๐Ÿคซ๐Ÿ˜f b ๐Ÿ˜’@e๐Ÿค‘)in๐Ÿคขg ant๐Ÿ˜๐Ÿ˜›๐Ÿ˜‹๐Ÿค—i-w ๐Ÿ˜˜omen (a frequ\๐Ÿ™„ent$๐Ÿ˜‘ criti๐Ÿ˜‡ cism of lat๐Ÿ˜ดe).' As usua๐Ÿ™„l$๐Ÿ˜,๐Ÿ˜€๐Ÿค”๐Ÿ™ƒ]๐Ÿ˜ he cho  se to work*_ aga<+>in'๐Ÿ˜ชst t๐Ÿคฃ๐Ÿ˜›he text, and๐Ÿ˜›[๐Ÿค from this^๐Ÿ˜‡๐Ÿ˜™๐Ÿ˜™ has constructed๐Ÿ˜Œ๐Ÿ˜œ: an ente๐Ÿค”(>๐Ÿ˜ƒrtaining and e๐Ÿคจ๐Ÿ™ƒngaging ^#๐Ÿ˜š๐Ÿ˜’p๐Ÿ˜Š๐Ÿ˜”๐Ÿ˜™lay about l ๐Ÿ˜‡>ove betw๐Ÿ˜š๐Ÿ™‚๐Ÿ˜ดeen upper"+-class ๐Ÿค๐Ÿ˜„women๐Ÿ˜›<"%๐Ÿ˜ wit๐Ÿ˜…๐Ÿ˜+๐Ÿ˜ƒh no[๐Ÿ˜Šthi๐Ÿ˜ด๐Ÿ˜šng ๐Ÿค•๐Ÿค•๐Ÿ˜š๐Ÿค’bet๐Ÿ˜ท ๐Ÿคชter to$/๐Ÿ˜” do than ๐Ÿ˜ฌ๐Ÿค”>๐Ÿ˜˜sneer at ot`<hers when t@$๐Ÿ˜”h๐Ÿค”๐Ÿคซ,ings ๐Ÿค?&go wro*"ng( wi.๐Ÿ˜ƒ๐Ÿ˜‰๐Ÿ˜ƒth their๐Ÿ˜‰+ lives and love๐Ÿ˜€/.๐Ÿ˜…s.

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